Hajek-Halke, Heinz
Choreographische Botschaft
Los 4183
Ergebnis (inkl. Aufgeld) *
750€ (US$ 781)
Choreographische Botschaft. 1967. Vintage gelatin silver print. 39,7 x 30 cm. Signed by the photographer in felt-tip pen on verso; titled and annotated by the photographer in ballpoint pen on verso; photographer's "6701 Birkenheide/Pfalz, Auf der Heide 4" copyright stamp and "Lichtgraphik" edition stamp on verso.
Slightly soiled, some buckling along edges of prints, otherwise in good condition.
Lit.: Michael Ruetz/Rolf Sachsse (eds.). Heinz Hajek-Halke. Der Alchemist. Göttingen 2012, ill. p. 92.
Hajek-Halke, Heinz
Verbrannte Barmherzigkeit
Los 4184
Ergebnis (inkl. Aufgeld) *
1.250€ (US$ 1,302)
Verbrannte Barmherzigkeit. 1969. Vintage gelatin silver print. 60 x 50 cm. Signed and dated by the photographer in ballpoint pen in lower margin; titled and annotated by the photographer in ballpoint pen, photographer's "6701 Birkenheide/Pfalz, Auf der Heide 4" copyright stamp and "Lichtgraphik" edition stamp on verso.
Some handling creases and signs of oxidation in darker areas of print, otherwise a strong print in very good condition.
Lit.: Michael Ruetz/Rolf Sachsse (eds.). Heinz Hajek-Halke. Der Alchemist. Göttingen 2012, ill. p. 161.
Hebler, Peter
Nach der Räumung, Winterfeldstraße 22.9.1981
Los 4185
Ergebnis (inkl. Aufgeld) *
750€ (US$ 781)
Nach der Räumung, Winterfeldstraße 22.9.1981. Vintage matte gelatin silver print. 24,3 x 36 cm (30,5 x 40,5 cm). Photographer's copyright stamp as well as signed, titled and dated by the photographer in pencil on the verso.
In excellent condition.
Höfer, Candida
Rijksarchief Limburg Maastricht I
Los 4187
Ergebnis (inkl. Aufgeld) *
600€ (US$ 625)
Rijksarchief Limburg Maastricht I. 2003. Chromogenic print in linen portfolio. 21 x 27 cm. Signed by the photographer in pencil, titled, dated and numbered "53/100" on label on verso.
Candida Höfer is renowned for her large-scale, meticulously composed photographs of public interiors, such as museums, theaters, and concert halls, which are strikingly devoid of human presence. Her series “Bibliotheken” highlights the serene and majestic interiors of libraries around the globe, capturing their architectural beauty and cultural significance through precise composition and natural light. Höfer’s acclaimed work has been exhibited in prestigious venues, including the Louvre, the Hermitage Museum, and the Museum of Modern Art (MoMA). She has received numerous accolades, notably representing Germany at the Venice Biennale in 2003 and being awarded the Käthe Kollwitz Prize in 2024. – In excellent condition.
Lit.: Candida Höfer. Bibliotheken. Berlin: Schirmer/Mosel, 2005. ill. pl. 67.
Hoepker, Thomas
View from Williamsburg, Brooklyn of Manhattan, September 11, 2001
Los 4189
Ergebnis (inkl. Aufgeld) *
17.500€ (US$ 18,229)
View from Williamsburg, Brooklyn of Manhattan, September 11, 2001. Large-format archival pigment print, printed 2007. 50 x 74 cm. (60 x 90 cm). Signed and editioned "18/20" by the photographer in ink and photographer's stamp on the verso.
This photograph, by acclaimed Magnum photographer Thomas Hoepker, sparked considerable debate upon its release. As a photojournalist acutely aware of the power of visual storytelling and the intense emotions it can evoke, Hoepker chose not to share the image immediately after September 11. He believed that its inherent ambiguity made it an inadequate representation of that day’s events. Rather than conveying indifference, Hoepker has explained that his aim was to capture the complexity of human responses to tragedy, highlighting how a single image can evoke diverse interpretations. Today, it stands as an iconic piece of photojournalism, representing a pivotal moment in global history. – In excellent condition with rich colors.
Provenance: Robert Morat Galerie to the present owner.
Horst, Horst P.
Male Nude, Back Study, New York
Los 4190
Ergebnis (inkl. Aufgeld) *
2.500€ (US$ 2,604)
Male Nude, Back Study, New York. 1952. Gelatin silver print on Agfa paper, printed later. 36,5 x 47,5 cm (40,4 x 50,4 cm). Signed by the photographer in pencil in lower margin; photographer's copyright stamp and annotated in pencil and red crayon by another hand on the verso, matted.
This strikingly abstract, modern nude exemplifies Horst P. Horst's masterful orchestration of light and shadow. The stark contrasts of black and white emphasize the sculptural quality of the model, whose solid form mirrors the compact mass of the stone on which he lies. This rare image is one of Horst's more minimalistic and abstract works, highlighting his ability to distill the human figure into a harmonious interplay of shape and texture. – Light handling dent in upper left and mid right, a few small retouched spots, otherwise a fine, tonal print in near excellent condition.
Lit.: Boris von Brauchitsch (ed.). Enthüllungen. Berlin 2019, ill. p. 138.
Hoinkis, Ewald
Refugees in Friedland, from the series "Flüchtlinge"
Los 4191
Ergebnis (inkl. Aufgeld) *
438€ (US$ 456)
Refugees in Friedland, from the series "Flüchtlinge". 1947. Vintage ferrotyped gelatin silver print on doubleweight paper. 28,4 x 21 cm. Photographer's stamp and annotated in pencil/ink on the verso.
Some surface pitting and light surface scuff marks on ferrotype surface, traces of previous mounting on verso, retouched line in upper right, otherwise in very good condition.
Lit.: Ute Eskildsen (concept and text). Ewald Hoinkis. Fotografien 1924-60. Berlin 1988, ill. p. 136 (from the same series).
Sri Ganga Singh, Maharajah of Bikaner. 1935. Vintage gelatin silver print. 31,4 x 20,8 cm. Signed and dated by the sitter in ink in lower right on recto, flush-mounted to board (traces of previous mounting on mount verso), annotated in pencil by another hand, photographer's studio stamp on mount verso.
This photograph shows Sri Ganga Singh Bahadur (1880-1943), the Maharaja of Bikaner, known for his progressive reforms and military leadership, including commanding the Bikaner Camel Corps during World War I. He played a significant role on the international stage, representing India at the Imperial War Cabinet and the League of Nations, leaving a lasting legacy through his contributions to his state and the Indian independence movement. – Slightly soiled with some edge wear, pressure marks, and a crease in the upper left corner, otherwise in good condition.
Ballettschule Eduardowa. 1930. Vintage gelatin silver print. 16,7 x 16,2 cm. Signed in lower right corner of recto; photographer's copyright stamp and annotated in pencil on verso.
Lotte Jacobi is renowned for her intimate and engaging portraits, utilizing dramatic lighting and composition to capture the true essence of her subjects. Her portfolio includes striking photographs of ballet dancers, in this case those from the Ballet School Eduardowa in early 1930s Berlin, which highlight the elegance and energy of their performances. Jacobi's fusion of artistic vision and technical prowess has established her as a significant and celebrated figure in the history of photography. – Corners slightly bumped, some scuff and pressure marks, otherwise in good condition.
New York. 1970s. Vintage large-format gelatin silver print on Agfa paper. 40 x 26 cm. Photographer's/copyright stamp and annotated in pencil photographer's wife in ink on the verso.
Slightly buckled, otherwise in very good condition.
Jazz
Sam Wooding and his Chocolate Kiddies Orchestra
Los 4198
Ergebnis (inkl. Aufgeld) *
1.250€ (US$ 1,302)
Photographer unknown. Sam Wooding and his Chocolate Kiddies Orchestra, performing at the Ufa-Palast in Berlin. 1928. Vintage sepia-toned gelatin silver print. 16,5 x 22,2 cm. "Ufa" photo stamp and annotated in pencil on the verso.
In 1925, American jazz musician Sam Wooding brought his famous Chocolate Kiddies Orchestra to Berlin for the first time. They were the first large, all-Black jazz band to perform in many major European cities, achieving lasting success with their "Hot Jazz" style. Their Berlin debut took place on May 25, 1925, at the Admirals-Palast. During their 1925 and 1926 tours, the band recorded with VOX and Grammophon. On their fourth visit in 1930, they performed live at Berliner Rundfunk radio in a program titled "Music from America," offering a wide spectrum of music that demonstrated the origins of Black jazz.
This image captures the band on their third visit to Berlin, performing at the Ufa-Palast theater in 1928. Their show, Die Schwarze Revue (The Black Revue), was part of the Ufa stage production, with a stage set designed by Rudi Feld, which likely influenced the design of the Nazi-era exhibit catalog for Entartete Musik (Degenerate Music) in the 1930s. This rare image is an important document of jazz history. – A few indentation spots, and light scratch in lower left, otherwise in near excellent condition.
Lit.: Horst H. Lange. Jazz in Deutschland. Die Deutsche Jazz-Chronik bis 1960. Hildesheim 1996, ill. p.271 (image from the same series).
Keetman, Peter
Volkswagen Werk, Wolfsburg
Los 4200
Ergebnis (inkl. Aufgeld) *
1.125€ (US$ 1,172)
Volkswagenwerk, Wolfsburg. 1953. Gelatin silver print, printed 1990s. 27 x 26 cm (50,3 x 40 cm). Signed by the photographer in ink on verso.
This is a unique print with unusually wide margins which Keetman only printed once in this format. – Small retouched spot in sky area, small nick in upper edge, light handling dent in right margin, otherwise in very good condition.
Lit.: Holger Broeker (ed.) Kunstmuseum Wolfsburg. Peter Keetman - Volkswagenwerk 1953. Bielefeld, 2003, ill. p. 137.
Armonk, New York. 1941. Vintage gelatin silver print. 24,4 x 19,5 cm. Photographer's copyright stamp, signed, titled, numbered and dated by the photographer in pencil on verso.
André Kertész’s photographs of rural New York and Vermont reflect his fascination with landscapes and everyday life in American communities. Taken in the early 1940s, this image captures the region’s charm through Kertész’s distinctive style, featuring an architectural structure amidst natural elements, illustrating the relationship between human habitation and the environment. Prints of this work are held in the collections of the Museum of Modern Art (MoMA) and the Centre Pompidou. – Some small surface scratches and edge wear, top right corner slightly bumped, otherwise in near excellent condition.
Lit.: André Kertész. Americana. New York: Mayflower Books, 1979. n.p.
Klauke, Jürgen
So stell' ich mir die Liebe vor
Los 4203
Ergebnis (inkl. Aufgeld) *
5.000€ (US$ 5,208)
So stell' ich mir die Liebe vor. 1977. 13 vintage chromogenic prints. 50 x 40 cm (sheet size), various image sizes. Each signed and editioned by the photographer in felt-tip pen on verso. Includes double sheet with title, dedication, and imprint. Edition F.C. Gundlach & Jürgen Klauke Hamburg/Cologne. Presented in original cardboard box.
The photography and media artist Jürgen Klauke is known for his critical and confrontational view of normed sexual identities and social behavioral patterns. In works ranging from highly minimalistic to strongly excessive, and also at times surrealistic scenes, his photographs reflect on the basic conditions of paranoid existence. Using everyday materials as a means to produce images, the artist creates a concentrated look at the absurdity of life. – Colors slightly shifted, some light handling marks, otherwise in good condition.
Ostrava. 1974. Vintage ferrotyped gelatin silver print. 17,7 x 23,8 cm. Photographer's stamp, titled and dated by the photographer in pencil on the verso.
Corners minimally bumped, some irregularities to ferrotype surface, otherwise a fine tonal print in good condition.
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Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
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© 2024 Galerie Gerda Bassenge
Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
Impressum
Datenschutzerklärung
© 2022 Galerie Gerda Bassenge